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Mitchell Brown
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Mitchell Brown
Home
About
Screenplays
Best Articles
ROUTE Magazine
FlickSided
1428 Elm
MXDWN
MovieWeb
Slay Away
Contact
Home
About
Folder: Portfolio
Back
Screenplays
Best Articles
ROUTE Magazine
FlickSided
1428 Elm
MXDWN
MovieWeb
Slay Away
Contact

Best Articles

He Never Died: The Best Vampire Movie You’ve Never Seen

Reviews/Retrospectives

Fight or Flight review: Josh Hartnett's star vehicle is a literal plane

From the World of John Wick: Ballerina Review: They Shoot Dancers, Don’t They?

I rewatched Star Wars: Episode I—The Phantom Menace and it's good...but not great

Star Wars: Episode II—Attack of the Clones is an ambitious anomaly (but it's still flawed)

Star Wars: Episode III—Revenge of the Sith is actually better than I remember

Why did Michael Myers’ mask become the norm?

Film Analyses

Why Die Hard is More of a Christmas Movie Than It’s A Wonderful Life

The Cabin In The Woods: The Mundanity of Evil and the Illusion of Free Will

Big Fish: The Tim Burton Film That Subverted His Traditional Outcast Hero Trope

The Art Of The ‘90s Action Villain—Timothy From The Long Kiss Goodnight

The Antithesis of Michael Myers: Corey Cunningham of Halloween Ends

Spider Noir: What we know, and our thoughts on the new Spider-Man series

Film News

How John Cena could come back for Fast X: Part 2 (and why he probably won’t)

Pig is streaming on Netflix....and why you should watch it like right now

The How To Train Your Dragon Live-Action Remake: Why It May Feel So Empty

Longlegs: How Marketing Can Mislead Audience Expectations

America’s Folk Hero

Historical Journalism

Annie’s Got Her Gun

Home of the Cavalry

Gasoline Alley

Oasis in Tubac

Legends and Lanterns

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