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Mitchell Brown
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Mitchell Brown
Home
About
Screenplays
Best Articles
ROUTE Magazine
FlickSided
1428 Elm
MXDWN
MovieWeb
Slay Away
Contact
Home
About
Folder: Portfolio
Back
Screenplays
Best Articles
ROUTE Magazine
FlickSided
1428 Elm
MXDWN
MovieWeb
Slay Away
Contact

MXDWN

Why Die Hard is More of a Christmas Movie Than It’s a Wonderful Life

He Never Died: The Best Vampire Movie You've Never Seen

The Top 10 Greatest Cheeseburger Scenes In Movie History

Serenity: How to Speed Run Exposition Efficiently (With One Scene)

How Serenity Did What The Rise Of Skywalker Couldn't

The Art Of The '90s Action Villain: Timothy From The Long Kiss Goodnight

The Gradual Accessibility Of Robert Eggers' Filmography

The Cabin In The Woods: The Mundanity of Evil and the Illusion of Free Will

The 4:30 Movie: A Return to Form for Kevin Smith

Atlantis: The Lost Empire - A Lost Disney Classic

The Quick and the Dead: Remember When Sam Raimi Made A Western?

Chef: The Film To Watch While You Wait For The Bear

Oculus: Revisiting Mike Flanagan's First Studio Film and His Evolving Style

John Heard: The Often Underappreciated Standout of the Home Alone Franchise

The How To Train Your Dragon Live-Action Remake: Why It May Feel So Empty

Silent Rage: How a Forgotten Chuck Norris Action Movie Morphed Into a Slasher Flick

Time After Time: The Perks of Going Back to the Future

Prometheus: In Defense of the Black Sheep of the Alien Franchise

Longlegs: How Marketing Can Mislead Audience Expectations

No Time To Die: How Steady Escalation Made the End of the World Scary Again

The Lost Boys: A Perfect Gateway Horror Film

Super 8: How JJ Abrams Tackles Nostalgia (and Does it Well)

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